Evelyne Torroglosa<\/strong><\/a> (com\u00e9dienne).<\/p>\nTout en conservant l\u2019ADN d’un th\u00e9\u00e2tre populaire et exigeant insuffl\u00e9 jusqu\u2019en 2014 par S\u00e9bastien Lagord, la Compagnie s’oriente r\u00e9solument aujourd\u2019hui vers l’\u00e9criture contemporaine. Elle cherche \u00e0 interroger notre soci\u00e9t\u00e9 et \u00e0 traduire les pr\u00e9occupations des femmes et des hommes de notre temps. D\u00e9brayage, de R\u00e9mi de Vos, cr\u00e9\u00e9 en 2017, illustre parfaitement l\u2019esprit de la Compagnie et ses orientations artistiques. Si D\u00e9brayage abordait la th\u00e9matique des souffrances au travail, Perplexe de Marius von Mayenburg, nous questionne sur les revers du capitalisme, sur la perte de rep\u00e8res et de sens que refl\u00e8te notre soci\u00e9t\u00e9 occidentale. Peut-\u00eatre l\u2019image omnipr\u00e9sente des migrants fuyant la guerre ou la pauvret\u00e9 ces derni\u00e8res ann\u00e9es, la peur et le rejet qu\u2019ils suscitent, sont-ils \u00e0 l\u2019origine d\u2019A nos ailleurs, travail d\u2019\u00e9criture collective en cours.<\/p>\n
La Compagnie dispose d\u2019une salle de r\u00e9p\u00e9titions: l’Imprimerie. Ce local est un outil majeur et indispensable au travail de recherche et de cr\u00e9ation de l’Astrolabe. Situ\u00e9 au c\u0153ur de la Cit\u00e9, il offre une autonomie et une ind\u00e9pendance rares. Les premiers laboratoires des cr\u00e9ations de l\u2019Astrolabe s\u2019y d\u00e9roulent, comme pour D\u00e9brayage en 2014 avec trois semaines de recherche, de lecture, d\u2019improvisations qui ont permis au projet de se concr\u00e9tiser. Ou comme pour le spectacle d\u2019A nos ailleurs qui a vu l\u2019Imprimerie se transformer en r\u00e9sidence d\u2019\u00e9criture ou en lieu de restitution et de lectures publiques. L\u2019Imprimerie est aussi un lieu de transmission et de m\u00e9diation.<\/p>\n
Depuis sa cr\u00e9ation, la Compagnie a d\u00e9velopp\u00e9 et d\u00e9fend une activit\u00e9 p\u00e9dagogique forte sur le territoire et aupr\u00e8s de public divers: scolaires, amateurs, r\u00e9sidents d\u2019EHPAD, \u00e9l\u00e8ves du conservatoire…<\/p>\n
Historique des cr\u00e9ations de la Cie de l\u2019Astrolabe:L’incroyable et triste histoire de la candide Erendira et de sa grand-m\u00e8re diaboliquede G. G. Marquez \u20132008 (S.Lagord)<\/em><\/strong>, Autour de Gabo d\u2019apr\u00e8s Cent de solitudede G. G. Marquez \u20132009 (S.Lagord)<\/em><\/strong>, Monsieur de Pourceaugnac de Moli\u00e8re \u20132010 puis recr\u00e9ation en 2014 (S.Lagord)<\/em><\/strong>, Jeunesse sans Dieu d\u2019\u00d6d\u00f6n von Horv\u00e1th \u20132010 (N.Pichot\/E.Ray)<\/em><\/strong>, Cabaret Ocho!\u20132011 (S.Lagord)<\/em><\/strong>, D\u00e9brayage de R\u00e9mi De Vos \u20132017 (N.Pichot)<\/em><\/strong>, Perplexe de Marius von Mayenburg \u2013cr\u00e9ation 2020 (N.Pichot)<\/em><\/strong>, A nos ailleurs cr\u00e9ation collective \u00e9crite par M.Pastor, N.R\u00e4ber et E.Torroglosa \u2013cr\u00e9ation 2021 (N.Pichot)<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" La Compagnie de l’Astrolabe ,qui a r\u00e9cemment f\u00eat\u00e9 ses dix ans, fonctionne en collectif. Si Nicolas Pichot en est le metteur en sc\u00e8ne, les r\u00e9flexions artistiques, les axes de Lire la suite \u2192<\/a><\/p>\n","protected":false},"author":1,"featured_media":237,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false},"yoast_head":"\nCOMPAGNIE - Compagnie de l'Astrolabe<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cie-astrolabe.org\/?page_id=24\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"COMPAGNIE - Compagnie de l'Astrolabe\" \/>\n<meta property=\"og:description\" content=\" La Compagnie de l’Astrolabe ,qui a r\u00e9cemment f\u00eat\u00e9 ses dix ans, fonctionne en collectif. 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